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Clementina, Vis c ountess Hawarden ( 1 822-1865) produced over eight hundred photographs during her all-too-brief life. Most of these were portr ai ts of her adolescent daughters. By whisking away the furn it ure and bric-a-brac common in scenes of upper-class homes of the Victorian period, Lady Hawarden tran sf ormed the sitting room of her London residence into a photographic studio -- a private space for taking surprising photos of her daughters in fancy dress. In Carol Mayor's hands, these pictures become windows into Victorian culture, eroticism, mother-daughter relationships, and intimacy.

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